And also since yesterday I updated Photoshop CC 2018 to Photoshop CC 2019. AND I also updated macOS to Mojave (version 10.14). Black dots after using Liquify,spinning wheel when using brushes, healing brush issues and now this CRAP I get when trying to cut a subject from the background.

We've learned how to adjust the eyes, nose, mouth and overall face shape using the various sliders in the Properties panel. We've also learned how to adjust the same sliders by clicking and dragging directly on the image with the Face Tool, and how we can use the Face Tool to freely move and reshape other areas as well. Up until now, we've been using an image of just one person, but Face-Aware Liquify also works with photos of two or more people. Here's a group photo that I've downloaded from.

Be subtle with this. Don’t shrink the waist or simply enlarge the chest. I strike the “F” key and draw on my mask by starting at her chest and making the ideal curve down her torso to her hip. I tuck in her dress to give a slightly more flattering curve.

If you have questions regarding GPU usage in Photoshop, consult. • To show a mesh, select Show Mesh in the View Options area of the dialog box, and choose a mesh size and mesh color. • To only show a mesh, select Show Mesh and then deselect Show Image. • To save a distortion mesh, after distorting the preview image, click Save Mesh.

If you have never used Levels to adjust Color in your images you will be amazed at how much control you can have using a simple Levels slider. When you need to adjust the Colors of your Shadows and Highlights separately the Levels Adjustment Layer is hard to beat.

This is a similar rule for the mouth except you can dramatize the smile. Let’s exaggerate the smile on another image. This feature drags the corners of the mouth upward. Now we need to increase the size of the lips. Make sure you are happy with the Face Width and Jawline, because we will need to adjust those first. Adjust the neckline with Forward Warp to make the slimming effect more proportional.

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Adobe Photoshop is a powerful program used across many industries, from art and design to scientific imaging. This course was created specifically to help designers master this complex technology, with the goal of removing technical barriers so you can start creating as soon as possible. Photoshop CC 2019 boasts tools and features for making tonal and color adjustments, applying effects and treatments to type and graphics, and distorting, filtering, and layering elements—all while maintaining the highest-quality output.

Of course, each slider controls a different aspect of the face, so let's see what each one does. Eye Size The Eye Size slider increases or decreases the overall size of the eyes. If we drag the slider to the right, we make the eyes larger. Dragging the Eye Size slider to the left. Here's a comparison showing the effect that each setting has on the image. I'll use a similar comparison for each of the sliders as we go along.

Click to expand.Please, and this will be a learning experience for me. How is it possible, that when installing PS, or any program for that matter, folders are blocked from being given permission to Read & Write, if they are required to make a program fully functional. Is this something I can set in my System Preferences to prevent it from happening or do I have to do it at a root level. Like I said, learning experience. Went to your link and completely followed and understood that. Just did not realize folders could be blocked and why. Thanks ahead of time.

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• Click Advanced Settings. Ensure you select “Use Graphics Processor To Accelerate Computation”. Download a portrait image from the web (I used this image: by ), load the image into Photoshop. Go to Filter > Liquify: On the Liquify window, you will notice there is a human icon labelled “Face Tool” on the left, click on it: Once the Face Tool is enabled, move your mouse over any one facial feature (eyes, nose, etc.) – you will see a smart guide appearing. This allows you to Click & Drag and adjust the relevant facial feature: Eyes Face Shape Nose Mouth On top of the click & drag, you will also find all the settings on the right pane: Notice the paper clip icon under the Eyes settings? Ron c the c theory.

Working with Smart Objects 1. Working with Smart Objects • • • • 2. Creative Transformations for Designers 2.

This course demonstrates the most efficient and nondestructive ways to perform essential editing tasks, including retouching, color and tonal correction, compositing multiple photographs, and adding creative effects—all while maintaining the highest-quality images. Along the way, you will learn the secrets of features such as layers, Smart Objects, adjustment layers, blend modes, fill layers, filters, layer masks, and painting as well as master other features that make Photoshop the most popular and powerful image-editing software on the market. Instructor •. Julieanne Kost is a principal evangelist at Adobe Systems. She is responsible for fostering relationships with customers through meaningful and inspirational Photoshop and Lightroom instruction.

That would be a bad idea. Well scratch disks aren't set at installation. They're loaded from preferences at runtime. Under preferences-->performance in the lower left hand corner, it will list all available drives. It writes a hidden file to a specific folder if the boot drive is checked, which is what most people use. Also regarding installation, you do give admin permissions when installing an application, because applications at that time have to write to directories that are otherwise protected.

Once I am satisfied, I choose the Push Left Tool by striking the “O” key. This tool operates by clicking-and-dragging upward to push pixels to the left and clicking-and-dragging downward to push them to the right. I suggest enlarging your brush to more than double your widest area being pushed, and start at the bottom of your mask. Center the brush on the area and click-and-drag upward.

For pincushion distortion, it’s going to make the subject wider. Let’s keep moving. After making our basic color correction adjustments, we need to adjust some Workflow Options before opening our Raw files in Photoshop. Access these by clicking on the text at the very bottom of the ACR screen displaying color space, bit depth, resolution, camera sensor size and PPI.

We can lengthen or shorten the forehead by clicking at the top and dragging upward and downward. You’ll notice the slider panel following suit. The same goes for the Chin Height found at the bottom of the highlighted face. The Jawline and Face Width can both be adjusted from the sides. You have to be careful when slimming the face because this does not adjust the neck.

You can either go to the face and change the little notes resting on different facial features such as or the nose and move them around easily or go to the “Slider Menu” and start messing the sliders. You can increase the eye size for example by dragging the sliders to different direction. The sliders will allow you to either increase or decrease the size of the different features depending with your preferred editing needs. However, you will find it fun to play around with the notes.

Click on the layer you want to duplicate and hold Option + Command while striking the “J” key. You could simply create a layer mask on your transformed Smart Object layer and paint in the base layer. I think this is a little sloppy unless you have a seamless backdrop. Instead, right-click on the layer and choose Rasterize Layer. Now we can access the Content Aware Tool by holding Shift + Option + Command and striking the “C” key.

Go to Filter > Liquify: On the Liquify window, you will notice there is a human icon labelled “Face Tool” on the left, click on it: Once the Face Tool is enabled, move your mouse over any one facial feature (eyes, nose, etc.) – you will see a smart guide appearing. This allows you to Click & Drag and adjust the relevant facial feature: Eyes Face Shape Nose Mouth On top of the click & drag, you will also find all the settings on the right pane: Notice the paper clip icon under the Eyes settings? Click on it and it will automatically apply equal value to the left/right eye setting: Once you’re happy with the result, click “OK” to apply the filter. This conclude the application of Fare-Aware liquify filter. One thing I need to mention is that the Face-Aware liquify filter works the best for faces that directly facing the camera. If you have a photo similar to the one below, you can still use Face-Aware, just the outcome may not be as good: That’s it for this tutorial! I would love to hear your opinion about the Face-Aware liquify filter – simply drop me a comment below.

Alternatively, you can make adjustments by clicking and dragging directly on facial features in Face-Aware Liquify. Select the Face Tool in the Toolbar on the left side of the Liquify window. To adjust the size of the eyes, hover over one of the eyes in the photo until your cursor changes to a double-pointed diagonal arrow. Then click, hold, and drag outward to increase the size of both eyes. Tip: As you hover over a facial feature, on-image icons and tool tips appear to let you know which feature and property will change.

• In the Graphics Processor Settings area, select Use Graphics Processor. • Click Advanced Settings. Ensure you select “Use Graphics Processor To Accelerate Computation”. Download a portrait image from the web (I used this image: by ), load the image into Photoshop.

Essential Layer Effects and Styles 6. Essential Layer Effects and Styles • • • • • • • 7. Type Essentials 7.

(You might need to experiment with the size of the brush.) Click OK when you’re done. Hughes says this method enables a lot of control but can take some time to achieve a realistic effect. “Remember that you’re effectively mashing pixels together, so depending upon how much time you spend, this can look very real or very surreal,” he says. Here’s another method using the Liquify filter.

Both methods are quite time-consuming. Now, all you need is the this new Face-Aware liquify filter for simple facial feature adjustments.

We can now adjust the image more accurately with the Bloat Tool by striking “B.” This tool bloats, or causes a bulging effect, from the center of the brush. I can use it to fix some of the areas where the Push Left tool overworked the torso. By holding the Option key, I can toggle the Pucker tool. This puckers, or shrinks, an area from the center.

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Of course, you don't need to drag the sliders all the way to their maximum values. Lower values will give you more subtle results. It's just easier for us to see the effect at the maximum settings, so that's what I'll use.

If I hover the Face Tool over one of the eyes, for example, different handles appear. There's a round one above and below the eye, another round one on the side, a diamond-shaped one in the upper corner, and a dotted curved line along the outer edge. Similar handles would appear if I hovered over the other eye. Handles appear around the eye when hovering over it with the Face Tool. Each handle is linked to one of the sliders, and dragging a handle has the same effect as dragging the slider. The round handles above and below the eye are linked to the Eye Height slider. Dragging either one adjusts the height of the eyes (the eyes will be adjusted together regardless of which eye you choose), and you'll see the Eye Height slider in the Properties panel moving along with you as you drag.